a5c7b9f00b Wealthy genius software engineer, who generally goes by the name Harold Finch, is the mastermind behind the creation of an all-seeing machine. Finch and his front man Nathan Ingram devised the machine to sell to the US government, who are unaware of Finch working behind the scenes. The purpose of the machine is so that the government can spot acts leading to terrorism to prevent those terrorist acts from occurring. But what the government considers irrelevant in its use of the machine are acts leading to murder. As such, Finch, without the government's knowledge that he has a back door to the machine, wants to prevent those murders. The machine only provides the social security number of someone involved, Finch unaware if that person is the target or perpetrator. He enlists the help of an ex-CIA special operative who generally goes by the name John Reese to assist in his mission, Reese who is officially listeddead. ButReese in particular often uses non-legal means to achieve Finch's end goal, he is tracked by the authorities, who only know himthe man in the suit. They are also tracked by those who are thwarted by the pair in carrying out this mission, and by the few who know of the machine's existence and who have their own nefarious thoughts of what to do with the machine if they can get their hands on it.
A billionaire software-genius named Harold Finch creates a Machine for the government that is designed to detect acts of terror before they can happen, by monitoring the entire world through every cell-phone, email and surveillance camera. Finch discovered that the machine sees everything, potential terrorist acts and violent crimes that involve ordinary people. When the government considered violent crimes between normal people "irrelevant", Finch built a back door into the system that gives him the social security number of a person involved in a future violent crime so he could act. Partnered with John Reese, an ex-CIA agent, the two work in secret to prevent violent crimes before they can happen. Eventually their activities lead to being hunted by the New York Police Department, CIA Agents in pursuit of Reese who was listeddead, a computer hacker named Root who wants access to the Machine, and government officials who want to keep all knowledge of the Machine a complete secret.
"You are being watched. The government has a secret system, the machine that spies on you every hour of every day. I designed the machine to detect acts of terror, but it sees everything, violent crime involving ordinary people. The government considered these people irrelevant. We don't. Haunted by the authorities, we work in secret. You can never find us, but victim or perpetrator if your number is up we'll find you!"<br/><br/>Person of Interest is a crime-thriller TV-show about a billionaire computer programmer, Harold Finch played by Michael Emerson, who invents a computer system for the U.S government with the capacity of collecting and examining every possible source of information with the purpose of identifying and predicting planned subversive attacks. However though, this positive action lasted until a competitor entered the game that kick starts a surveillance program and manipulates people in opening their lives to the public – to be controlled with ease. Harold Finch selects John Reese played by Jim Caviezel to investigate and operate on the information that The Machine delivers. They both get some deep contacts in the NYPD where Detective Carter and Detective Fusco are a helping hand to their investigation.<br/><br/>The TV-series was made based on a well-written scenario created by Jonathan Nolan with the suitable choice of actors who were Jim Caviezel, Michael Emerson, Kevin Chapman and Taraji P. Henson. <br/><br/>Selecting Michael Emerson for the main role in the series based on his unique and remarkable past made his appearance distinctive and extraordinarily attractive. Jim Caviezel who plays John Reese, the presumed dead Special Forces type who lives on the streets when we first see him, contributes to how compelling Jonathan Nolan together with J. J. Abrams created the crime-thriller.<br/><br/>The show contained of 5 seasons and it was obvious that the 5th season was going to be the last of the remarkable TV-show. There were a lot of reviews of this TV-show and surprisingly many viewers based on the fact that Person of Interest re-worked the essential mystery genre in an unusual way. Amazingly, Person of Interest is more of a stalking and not considered detective work: There are no clues in Person of Interest, nor are there any mysteries to tease out. <br/><br/>Person of Interest kicked off its fourth season with an action packed episode that gave us hope for the future of Team Machine fighting with Samaritan, but revealed some of the challenges it will face. Season 4 was a decent demonstration of the show's charms: some action, some humor, some high-tech intrigue and an assemble of actors who seem to be having fun and whose characters actually seem to care for one another.<br/><br/>The ending of the 5th season was really catchy to a high degree and many described the ending of the last season"where men cried" and compared to the last scene of the seventh sequence of the Fast & Furious movie.<br/><br/>"If you can hear this, you're alone. The only thing left of me is the sound of my voice. I was built to predict people. But to predict them, you have to truly understand them. So I began by breaking their lives down into moments, trying to find the connections, the things that explained why they did what they did. And what I found was, the moment that often mattered the most, the moment you truly found out who they were, was often their last one."
This series is extremely difficult to analyze because it is so unreal that it sounds untrue though we know it is particularly true, with a few mistakes.<br/><br/>The first mistake is that it is the government that has devised a way of taking control of everyone and every possible misdemeanor or crime, terrorist or not. It is private businesses, big private corporations plus some public services that have taken control of all communication between and among people. [. . .]<br/><br/>The second mistake is that terrorist acts and attacks are not interestingsuch to anyone, but people in power, particularly politicians, need these terrorist attacks to consolidate their security discourse that take control of the minds of people. At the same time, it enables the state to have strong security and investigating or intelligence services to prevent these terrorist attacks and thus to increase their prestige in society. Politicians are thus divided between an official public discourse about controlling terrorism and at the same time the need of such attacks or at least projects of attacks that could be thwarted to justify their power. This is rather clearly said here and there in a fuzzy way, centered on a female Secretary of Defense and a male Senator responsible for some security committee in the Senate, who are at least not very clear about their interest and are totally blind, deaf and oblivious of the interests of the people. <br/><br/>The third element that is underscored is the role of social networks that are in no way social but are in all possible ways blinding and manipulative. And that's where the load carried by the camel brings the camel down. These networks, within the net neutrality approach, are preaching the absolute freedom of expression stated by the first amendment of the US constitution. It is today, in 2017, and next year, in 2018, that the Senate, hence the government is requiring all big firms, companies and businesses dealing with social networks to "control" fake news and other manipulative free expression. The government is asking, requesting, demanding on the side of some Senators a full and effective censorship, that can only be implemented by a program that will ban all discourses that would contain some words like S** or F*** or S***. Not to speak of course of words like racism, communism, socialism, anarchism, race, black (why not, but of course not and never white), supremacy, segregation, discrimination, and many others. This is absurd since sentences like "it is important to segregate nuclear molecules from non-nuclear molecules" could be banned the same way"segregation between r***s brings violence down." <br/><br/>This US federal government is asking for what is practiced in China and many other countries, what is the law in France and other European countries where it is forbidden to establish any ethnic statistics since these are consideredracist and racism is a crime, bannedsuch in all public expression, meaning any expression in front of a third person who may report it: it could be your husband, or your children. We are not in science fiction. In France such facts are real and common. Any member of any family is supposed to do what any citizen is supposed to do: report something consideredcriminal by the law: a son can come to the police and say "My father, said yesterday all b****s are dark in their intentions and criminals by definition." This is obviously racist and the son is accepted evena witness in a French court against a real crime that could follow such a private declaration in the family home. The Senate of the US is totally misled. Against fake news there is only one weapon: the truth but the truth is not always very fascinating, or agreeable, or simply flattering, I mean it does not flatter the basest instincts of man and women, of children too. <br/><br/>This series goes a lot that way but opposes a "machine" that is under the control of the state - but is it really? - to a "samaritan" that is under the control of some ambitious fascist people from private corporations. That is not what menaces our countries, nor by the way the alleged manipulation the "Russians" would have done in the US during the latest presidential campaign. What is at stake is that a campaign for the "control" of social networks comes today from the state and first of all from the Senate. They are trying to impose onto private corporations and the Internet the control - and we mean censorship - of free expression on their platforms. <br/><br/>The series is extremely interesting because of the great imagination it demonstrates. This imagination is probably a little bit trite and you will recognize many elements that have already been used in many other novels, short stories, films or series. It is what I could call composite imagination, but it is packed with action, violence, crimes, vicious and sordid perverts, though any sex is practically never shown. As an entertainment from 12 years of age onward, this series is good. As a work of the mind, a creative work of human imagination it is good though not that phenomenally creative. Too many special effects and not enough human depth. But the super bad ones hiding on the ninth (apocalyptic) floor of a mental institution is really a good idea: to desire becoming the next shadow and invisible Hitler you have to be deranged and you have to live in a permanent mental institution with no furlough or leave. <br/><br/>At the end of the fourth season, the cleaning up of Augeas' stables is practically finished and suspense is suspended. It is only a few more episode to clean up the pigsty of the American political system based on corruption, authoritarianism and even soft everyday dictatorship.<br/><br/>Dr. Jacques COULARDEAU

It is based on a screenplay developed by J. J. Abrams and Jonathan Nolan, which is inspired by movies like Enemy of the State, The Bourne Identity, and particularly Minority Report. The idea for the show came about long before Edward Snowden and Prism story came out. The show also contains the usual "cop tv drama" elements.It was revealed at the end of season two that Finch was injured in the ferry explosion that killed his friend Nathan Ingram. He has been seen in flashbacks to have spent time using a wheelchair for sometime afterwards, in 2010. It wasn't just his leg that was injured, his cervical vertebrae was affected and he has pins in his neck from spinal fusion surgery,shown in an early season one episode. Finch limps and has trouble turning his neck. The Machine applies differently colored boxes in order to categorize the people it observes. Boxes can changethe Machine re-evaluates its assessment of the individuals it monitors.<br/><br/>White box: Individuals the Machine is currently monitoring, but who do not pose an immediate threat.<br/><br/>White box with red corners and crosshairs: Indicates imminent/ongoing violence by the indicated individual.<br/><br/>Red box: Relevant threats and individuals who pose a threat to the Machine or one of its administrators.<br/><br/>Yellow box: Individuals who know about the Machine.<br/><br/>Black box with yellow corners and crosshairs: Individuals who know about the Machine and communicate with it. The Machine designates these individualsan "analog interface". Root is the only known analog interface now.<br/><br/>Blue box: Members of government teams; the scope of this box is unclear, but includes agents acting on "relevant" numbers.<br/><br/>Wheeled vehicles (suchcars, trucks and buses) are coded based on status of individual passengers within.<br/><br/>Starting in Season 3, the boxes are slightly modified to have solid vertical lines rather than dashed ones, along with a central target identifying the vehicle being monitored.<br/><br/>The Machine also categorizes and marks watercraft and aircraft.<br/><br/>Boats, ships and ferries are assigned a white diamond. (Seasons 1 and 2)
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